Dialogue between centuries

June 19, 2025

There are people who are still surprised that the inheritance of what we call classical music is currently such energetic roots. The way of great creations reaches our time and continues to move in subsequent generations, in the face of continuous volatility of musical expressions that have no resistance to over time weak and irrelevant their approach.

The real theater in Madrid has just provided good evidence of the programming “Las Indias Galantes”, Opera-Ballet de Jean-Philippe Rameauin a common work Leonardo García-Alarcón and Bino dembélé This has gained an international pulse, no doubt, will still have a great tour. It is exactly the coexistence of Rameau’s music with the look of dembélé – a key figure Hip-hop In France and the artistic and choreographer of this production – which led to a unique and risky show that moves the viewers radically and katartically.

The concept has the main balance in each element of this fascinating show

Dembélé created in 2002 “The structure of the rural” (created by Words Street – and reality – Réalité -), which combines urban dance with scenarios through projects in opera theaters, but also in museums or social networks. From the Alliance between Dembélé and García-Alarcón, Argentine Suiz teacher and Asturian origin, a fascinating show in which dancers shine with Fulgor as wellJulie Roset, Ana quintans, Mathias Vidal and Andreas Wolf– in a state of grace. In addition, this concept has a masterpiece in each element and the concept of using the entire theater – including – as a scenario, lends the development of work a special aura that creates a solid connection with the public. The huge success of the proposal should move to the reflection to the necessary need to follow in the reconnaissance line of the new focusing formulas of the traditional repertoire. This does not mean that they are more traditional such abandoned, but that various possibilities in fertile coexistence are promoted, which eventually ends up in the inclusive and fortress that barely admits the discussion.