The cover of Sabrina Carpenter is neither fun, camp or art
Sabrina -Timmers New Album cover, where she is on his hands and feet and is pulled into her hair, has been the big snack ice cream from the internet in recent days.
While the world is burning, the wars are underway and experts are geopolitics, we who feel lost in everything in common try to resolve a popular cultural Rubik cubus.
Sabrina Carpenter now does what she had longed for for more than ten years. She has succeeded in attracting everyone’s attention and, especially the music industry. That could be a possible interpretation of her new coverage – that would be related to many artists who acknowledge the similarity to be on hands and feet in a belt for industry.
In a spirit of time Mounted by doing everything in their strength to penetrate the noise, to my great surprise, people went on the newest hoax from the Trickster Sabrina Carpenter and have taken her artistry with a big gadget of Ernst. Her texts and images have also been interpreted and set up against the “real reality”, where we are met daily by unpredictable images of human suffering, but still have difficulty with what is going on. At the same time, people are achieved by a photo of the orchestrated fantasy world of Carpenter and suddenly sees it clearly.
We can only fantasize about what a world without a patriarchal look is. But what Sabrina Carpenter does is not surprising, nice enough to be a camp, nor artistic innovative. It is a way in which many white straight pop women have walked for her: a game with the oversexualization that other women are involved in public.
In May 2020 written Lana del Ray An open letter after year of being accused of romantizing violence in her music and aesthetics, where she had a question to the ‘culture’ that, according to her other women, had raised and praised who were sexually explicit in her songs. After mentioning a majority of black women who Megan de HengstThe Doja Cat And Cardi B Has del Rey continued: “Can I now return to exploring my music with themes of submissive and imperfect relationships?” The letter was met by mass criticism and del Rey defended what she wrote with another message.
The piece exposed the uncomfortable fact that non-white women and transvrouwen never had the luxury to choose what appears for white pop women as an artistic destination to explore. Overxualization has automatically affected them, only through their existence. They have never had the opportunity to step in or out of the role of object, have never been able to end the Charad when it fits, and then welcomed back as an innocent being that it is worth protecting – the chance that Sabrina Carpenter now saves.
So the answer to the question Lana del Rey asked and now has the same answer. Yes, like a white pop woman you can move the fire without being branded forever.
Chaable Crack Special: Interview with Willem Dafoe
With Willem Dafoe in Venice
15:08
