Explosions in New York

June 19, 2025

Ivan ZuluetaThe author “Arrebato” (1980), one of the best Spanish films of all time – and perhaps the most unequal – remains a character surrounded by a mystery. He was born on 29 September 1943 and died on December 30, 2009, it is a creative mystery as fascinating as a cultivated jewel during permanent restoration, which was referred to the history of the cinema. Therefore, the meaning of the book such as “New York Dario (first trip, 1964)”, neither more nor less than a revealing trip for six months that Zulueta spent in the city as a cartoonist and painter. “I bought, I spoke for a while (always on color) with Mrs. Julia and went to breakfast where every day. Then I cut my hair, but first I took four photos with Beatle Hairstyle, which were inflated, but worse than they should.

All the details have pointed to this newspaper help, insignificance that sometimes seem to know a little more personality of the child with a high class come less with much more questions than answers, paid for doubts and with some certainty. No better place to try to map himself than New York Infinitos Recovecos (which tells him that Lorca), inspiring and stunning. The release also offers a visual mosaic with photos of a trip and eloquent drawings that Zulueta created in his enriching New York experience. Even it is very interesting to gain access to Cinefile Record, a list of handwriting movies he saw, with his corresponding score: “I say, I really like it, I like it, I do not convince me, I do not like it, terrible.” Le Chiflan (eye to data) then “Lolita” KubrickHe likes “Vertigo” and “Lawrence of Arabia”.

As the authors warn: “This Ivan Zulueta is not the same as a few years later recognition as a transressive, unique and very personal character in his aspects by filmmakers and illustrator. In fact, he shows that this trip to New York was not originally, unlike what has always been introduced,”. The boat trip itself brings the author about himself and others who certainly served him as a personal background, which would then turn into his public works. Let’s write one: “… with what is hard for me to leave my house, I don’t know how to do (it’s unintentionally!) In these adventures. Of course I have to remember that last quarter I never realized what we lost twenty times and I couldn’t stand it anymore.”