“I do not remember one book, the only picture, the only album; nothing, nothing remained,” he said in 1991 José María Álvarez del ManzanoThis has reduced this cultural movement to “something essential, political propaganda” that “did not leave the only land”. If the former mayor of Madrid continues to doubt the materiality and wealth of the movement – which could be – they must spend every day from 16 to 21 years through the Madrid headquarters of the authors and look at it and look at it and look at Movement, youth and freedom. 1977-1986an exhibition that, according to its commissioner Sabino MéndezIt’s “humble, but includes great jewelry”.
The exhibited pieces include two electroductors, authentic glass balls from the RTVE Museum, Horacio Pinchadiscos puppet, photographs of Albert Garcia Alix, Domingo J. Casas and MiGuel Trillo, Cuadres de Cesepe, El Hortelano and Fabio McNama, Hands The Hands The Grodsts by The Peddro Hands the Peddro and Peddro and Pedabodos. National Telephone Society of Spain, the first Super-8 director Manchego, Gold Records, 12-Strong Guitar Hofner by Álvaro Urquijo, Telecaster from Emilio de Los Elegantos, IBanez Les Paul by Jorge Illegal, original Guillermo Pérez villalta Greenland from ZombiePhotographs of promotion and clothing of musicians such as nacho cano, alley stivel, javier furia or Victor CoyoteThe latter, also in charge of the graphic design of the sample.
Woman at the exhibition “Movement, Youth and Svoboda. 1977-1986 ‘. / Europa Press / Ricardo Rubio
“There has not been any other movement in the last 50 years that combines as many disciplines as the movement,” said Sabino Méndez Press, who came to compare this Madrid phenomenon, which will save distance, artistic trends like Baroque. “But what wasn’t literature,” said Méndez, who blamed that the lack of the fact that “literature takes time because it is a slow cooking art.” Therefore, although books that then analyzed this phenomenon are included in the sample as Run, Rocker: Personal Chronicle of the 1980s The Méndzez itself, Alaska from Rafa Cerver or You only live once: Splendor and Ruin of the Madrid Movement José Luis Galleroro – The immediacy of time is gathering in a wide range of magazines and fanzines. Among the first specimens of the moon of Madrid, El Víbora or Metal Hurlant; Between seconds, mythical heads such as 96 tears of Sardi, Rococó de Miguel Trillo or Moulisart Editions.
Most of these materials were assuming an opportunity by the protagonists themselves From the movement, some of which participated in the inauguration of the sample. Names Such as Paco Clavel, Marivi Ibarrola, Alberto Garcia-Alix, Joaquin Rodríguez de Los Nikis, Jesús Ordovás, Patricia Godes, Teo Careralda of Low Blows, José Luis Moro of A Penguin in My Elevator And Aviator Drug-, The Great Wyoming, or Ricardo Moreno of Ronaldos.
Photos exhibited in the sample. / Europa Press / Ricardo Rubio
“As Pablo syt says, the movement was not a program movement, it was not a movement that had a leader but a collective movement,” Méndez recalled that he had reached a brochure among selected materials For Chinese auctionsA collective initiative to raise money for which they could replace the instruments and the Chinese team after they have been stolen. Perfect example of collective work and mutual assistance, including Akryl Luis Auserón (departure 3,000 penetrations, 18 EUR), BROTO (7,000 penetrations, 42 EUR), Costus (8,000 outputs), Castrior (48 EUR), Warterior), Warters), Waters -soboos) Pérez Mingin (10 000 Psetas, 60 euros), Pérez Villalta (5,000 Psetas, 30 EUR) and Printing Screens of Andy Warhol from 1955 to 80,000 outputs of PESETS (480 EUR).
Half a century
When you are going to turn fifty, move and the historical context in which it was created, it is for many of those who were born in a democracy born in the media, a distant phenomenon of the media, usually superficial, frivolous and confusing.
This is not the case Movement, youth and freedom. 1977-1986. Despite its restrictions – especially Space – Sabino Méndez and the SGAE team managed to emphasize relevance Key events sometimes forgotten. For example, an exile in Madrid Argentine artists such as Moris, Joe Borsani, Rubi, Ariel Rot and Alejo Stivel, who flee from their country’s military dictatorship, have come from punk, “decline of urban rocks in front of a new wave, spontaneity,” found “,” found ” They find for a new wave “,” can be found in the case of modernity for a new wave “. Geographic diversity of phenomenon. Yes, ok was focused in MadridThe headquarters of records and media in the centralist state, the movement was joined by groups and artists of Catalonia, Galicia, Andalusia, Zaragoza, Basque or Asturia. In the end, different waves of the movement also distinguished because they may be part of the same phenomenon, no matter how punk were at the beginning, Gene g is not coco de luxe.
Speaking of Lux cocoa, it is inevitable that some pieces that were important for the development of movement will be missing in the sample. Among them, Fanzine Carlos Berlang and Fernando Márquez, “El Zuro” who would eventually work with Kaka Lux, or even a copy of Madriz, a comic magazine in which artists like El Hortelano, Leele and Ana Juan worked. Funded by the City Council was qualified by a young man’s publication Alberto Ruiz Gallardón “Because it would disgust, pornographic, blasphemy, in the sense of jurisdiction of the word, unlike morality and family.” They were another time.
