Knights equipment can be the appearance of the year
That fashion -pipes In Cycli there is a tired truth. The interesting thing is not that something comes back, but why – and what happens when it does. Often the fashion cycle is maybe twenty years. But now historical styles are returning from hundreds of years, and with an almost obsessed frenzy: pointed Poulainese, Shields and Catholic headgear. Together they form a pattern in which the functionality of the body is subordinate to its aesthetics. What happens if such items are attached to a time when speed, efficiency and optimization have become basic conditions?
There are many examples of the return of the medieval way. Corsets, shutters and armor is seen with various designers; Burberry, Balenciaga and Zoe Gustavia Anna Whalen To name just a few. All favorite designs of tough girls Dilara Findikoglu Perhaps most clearly how medieval armor has had a clear impact in popular culture. Not in the least Lady Gaga’s performance at Coachella.
Poulainese, the pointed The shoes that dominated the aristocratic wardrobe of the 13th century have also returned and, among other things, seen in New Vintage ate McQueen. The medieval version was impractical to the extent that the shoes were sometimes chained along the legs so that the wearer could even walk. They are not designed for use, but to indicate that you didn’t have to use the body. Status by sedentary. The shoes also wore a sexual code language: clocks in the toes, waving feet such as erotic marking. It is a garment loaded with class, strength and desire.
Medieval fashion is always filled with charging: hierarchical, religious, sex. In his contemporary return, it therefore has the possibility to both criticize and visit these structures. Perhaps that is exactly what makes it so attractive now. Here is a friction between body and dust, between contemporary and history.
It enables someone to be in history, but not being stuck in it. The medieval forms are redesigned in a gothic, sexy and subversive tradition. The armor becomes protection against today’s horror, a kind of escapism of today’s. Not least when the courage itself is relatively difficult, the idea goes here and the adjustment becomes secondary. Medieval fashion offers a kind of visual weight that contrasts with contemporary accelerating trend flows. A memory that style can be slow, cumbersome, reluctant (nice? Yes!! Accepted? Well).
Because despite one Bicycle that extends over centuries wins our reflexive dopamine needs. Medieval core to have Really provided on social platforms. It has become a filtered ethics where eyebrows, lace and mamelucker appear in a mixture of pastiche and posing. What started when aesthetic friction is smoothed for trends.
Something that was initiated as rewriting historical structures – a possible queerification of the feudal – quickly runs the risk of being converted into superficial aesthetics. Perhaps it is an inevitable movement. So we have behaved for a long time. But when medieval fashion accelerates in the logic of the trend, it feels extra clear.
The symbolic weight becomes faster as content as content than necessary.
The art of destroying art
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